For now I am quite happy to recognise the Shure KSE1500 for what it is, the first electrostatic IEM. All rights reserved. In the end, itâs really the music and the musicians that we're all about here at headphone.com, so anything that brings us closer to the heart of the creative artist is manna to our ears. To cover some quick technical background, electrostatic technology offers the fastest, most accurate transient response with the lowest distortion possible in speakers and big headphones but, until now, it had never been applied to in-ear earphones. While these headphones will work with phones and portables you’ll only really hear what they’re capable of with top-end hi-fi sources. Shure’s KSE1500 is best described as an in-ear headphone system. The working principle is fairly straightforward, involving a very light diaphragm loaded with static charge placed between two metal grids. “Shoot This Sound Up My Veins”: Shure Audio’s KSE1500. But perhaps the biggest breakthrough is the breathtaking level of detail resolution, dynamic range quickness and incredible transient response speed the little Shure KSE1500 in-ear electrostatic system can conjure up. If these genres do not interest you, my review has little to offer. The KSE1500 sells for $2,999 in the US, £2,234 in the UK and AU$3,999 in Australia. Producing this on a miniature scale has taken Shure eight years to develop and was first launched on the reference KSE1500 model. This type of technology is hard to achieve let alone in such small dimensions. BA1 1UA. Providing an unrivalled level clarity and detail, the KSE1200 system brings the award winning performance of Shure’s electrostatic technology into a more compact, efficient, and affordable solution. Ultimate Hi-Res sound Using such lightweight speaker diaphragms means the KSE1200 headphones respond to signals faster than just about any other headphone - or speakers for that matter - currently available. Android devices will need to be able to output audio through their USB connection for this to work, while Apple’s iOS units should work without issue. Although its not completely perfect and rather painfully pricey, we all agree the. The review team here at headphone.com has seen and heard a lot of great headphones in our 25 years in business. The Shure KSE1500 system is much more than just a pair of earphones. Since air is actually much heavier than the microscopically thin film membrane itself, its own virtual weightlessness inherently dampens any acoustic resonances and allows a completely uncolored, accurate audio reproduction that is strictly faithful to the original source. The resulting dramatic advancements in sound quality has been some pretty heady stuff (pun intended). The diaphragm is driven across its whole surface, which combined with the light weight – compared to traditional cone alternatives – means that distortion levels are tiny and the response to any signal, even the tiniest nuance is fast. They communicate the dynamic ebb and flow superbly too. This dedicated amplifier accounts for a sizable chunk of the Shure’s hefty price and is included in the package. It’s the first time we’ve reviewed in-ears with this technology, and it gets us thinking that these headphones might be worth taking seriously. The Shure KSE1500 electrostatic in-ear headphones certainly qualify as one of those revolutionary new products. Shure Thing. Each single MicroDriver Sound Isolating electrostatic earphone features a virtually weightless, massless diaphragm, surrounded by an electrostatic field generated by back plates that manage charge oscillation. We’re no strangers to premium priced gear at What Hi-Fi?, but even we took a collective gasp at the £2500/$3750 price tag attached to Shure’s new range-topping in-ears, the KSE1500. Shure KSE1500 Review. We particularly like the knurled volume control, and the display is clear, if a little small. The UE11Pro had obvious difficulties keeping up with the obtuse frenzy and smeared much of the high-tension interplay between Fred Frithâs skronk guitar and the chattering saxophones of Geoff Leigh and Tim Hodgkinson, leaving an unresolved miasma of broken-sounding notes in its wake. Undoubtedly, the KSE1500 has a neutrality that is highly involving simply due to its sheer transparency, but it can also feel a bit rigorous and ascetic at times for listeners seeking heated slam and warm punch. in-ear monitors employ either balanced armature drivers (tiny tubes wrapped around a voice coil) or dynamic drivers (the piston-like voice coil-and-magnet drivers commonly associated with speakers and headphones
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