BY EMI APRIL MUSIC, INC. (ASCAP), THE PRACTICE TEAM S. DOT PUBLISHING (BMI), ANGELA BEYINCE MUSIC ADMIN. CERTIFIED QUALITYA DAT DA GIRL DEM NEED AND DEM NOT STOP CRY WITHOUT APOLOGYBUCK DEM DA RIGHT WAY – DAT MY POLICYSEAN PAUL ALONGSIDE BEYONCÉ – NOW HEAR WHAT DA MAN SAY DUTTY YEAH, DUTTY YA, DUTTY YEAH, DUTTY YA BEYONCE SING IT NOW GIRL, BABY BOY YOU STAY ON MY MINDFULFILL MY FANTASIESI THINK ABOUT YOU ALL THE TIMEI SEE YOU IN MY DREAMS, BABY BOY NOT A DAY GOES BYWITHOUT MY FANTASIESI THINK ABOUT YOU ALL THE TIMEI SEE YOU IN MY DREAMS, AH OH MY BABY'S FLY BABY GOYES NO HURT ME SO GOOD BABY OHI'M SO WRAPPED UP IN YOUR LOVE LET ME GOLET ME BREATHE STAY OUT MY FANTASIES, YA READY GIMME DA TING DAT YA READY GET YA LIVEAND TELL ME ALL ABOUT DA TINGS THAT YOU WILL FANTASIZEI KNOW YOU DIG DA WAY ME STEP DA WAY ME MAKE MY STRIDEFOLLOW YOUR FEELINGS BABY GIRL BECAUSE THEY CANNOT BE DENIEDCOME CHECK ME IN A NIGHT AND MAKE WE GET IT AMPLIFIEDME HAVE DA TING TO RUN DA SHIP ‘CAUSE I'M GO SLIP AND I'M GO SLIDEAND IN THE WORDS OF LOVE I GOT TA GET IT CERTIFIEDBUT I GIVE YOU DA TOUGHEST LONGEST KINDA RIDE – GIRL, PICTURE US DANCIN’ REAL CLOSE IN A DARK DARK CORNER OF A BASEMENT PARTYEVERY TIME I CLOSE MY EYES IT'S LIKE EVERYONE LEFT BUT YOU AND MEIN OUR OWN LITTLE WORLDTHE MUSIC IS THE SUNTHE DANCE FLOOR BECOMES THE SEAFEELS LIKE TRUE PARADISE TO ME, BABY BOY YOU STAY ON MY MINDBABY BOY YOU ARE SO DAMN FINEBABY BOY WON'T YOU BE MINEBABY BOY LET'S CONCEIVE AN ANGEL(2X), TOP TOP – GIRLME AND YOU TOGETHER IS A WRAP DAT – GIRL DRIVING AROUND DA TOWN IN YOUR DROP TOP – GIRLYOU NO STOP SHOCK – GIRLLITTLE MORE DA DUTTY, WE'LL ROCK DAT WORLD(2X), BABY BOY YOU STAY ON MY MINDFULFILL MY FANTASIESI THINK ABOUT YOU ALL THE TIMEI SEE YOU IN MY DREAMSBABY BOY NOT A DAY GOES BYWITHOUT MY FANTASIESI THINK ABOUT YOU ALL THE TIMEI SEE YOU IN MY DREAMS, WE STEPPIN’ IN HOTTER THIS YEARWE STEPPIN’ IN HOTTER THIS YEARI KNOW YOU GON' LIKE ITI KNOW YOU GON' LIKE ITI'M STEPPIN’ UP HOTTER THIS YEARI'M STEPPIN’ UP HOTTER THIS YEARSO DON'T YOU FIGHT ITSO DON'T YOU FIGHT IT, BEYONCÉ KNOWLES, SCOTT STORCH, SEAN PAUL HENRIQUES, ROBERT WALKER, SHAWN CARTERBEYONCÉ PUBLISHING / HITCO SOUTH ALL RIGHTS ADMIN. A Full Description of the Great Tornado in Chester County, Pa. Castillo Solórzano, Alonso de, 1584-1648? Translations of German Poetry in American Magazines 1741-1810, Ancient Monuments of the Mississippi Valley, The Whirl: A Romance of Washington Society, Sketches of Fifteen Members of Worcester Fire Society, The Iron Puddler: My Life in the Rolling Mills and What Came of It, The Rise and Fall of the Confederate Government, Volume 1, The Rise and Fall of the Confederate Government, Volume 2. (Lily Augusta), 1862-1927, See: Duchaussois, R. P. (Pierre Jean Baptiste), 1878-1940, See: Hayes, Clair W. (Clair Wallace), 1887-, See: Bethune, John Elliot Drinkwater, 1801-1851, See: Bocage, Manuel Maria Barbosa du, 1765-1805. D  What we run?The world (who run this motha'), Who are we? Hook: BeyoncéLong live the kingYou a king you know itKing already…My baby you know it…Top everything Everything you know it…King already…Already you know it, Post: BeyoncéShine already…It’s time already In line alreadyIt’s time alreadyShine already…It’s time alreadyIn line alreadyIt’s time already, Verse 2: BeyoncéTried to stop it me say no, no, noRoyalty say don’t you knowKnow, know, knowTried to stop it me say go, go, goBubble up and watch itGrow, grow, grow. Welsh  Italian  PRODUCED BY WALTER “LIL WALT” MILLSAP III FOR CONJUNCTION PRODUCTIONS, LLC AND BEYONCÉ KNOWLES FOR MUSIC WORLD PRODUCTIONS, INC. Autobiography and Letters of Orville Dewey, D.D. F  Plain Words for Christ, Being a Series of Readings for Working Men, The Pilgrim of Castile; or, El Pelegrino in Su Patria, Hindu literature : Comprising The Book of good counsels, Nala and Damayanti, The Ramayana, and Sakoontala, Un frère de Nicolas Foucquet: François, Archevêque de Narbonne; Exilé à Alençon, Nouveau Code du Duel: Histoire, Législation, Droit Contemporain, An Introductorie for to Lerne to Read, To Pronounce, and to Speke French Trewly, Short-Title Catalog of Publications and Importations of Scientific and Engineering Books, Budge & Toddie; Or, Helen's Babies at Play, A Journey to Ohio in 1810, as Recorded in the Journal of Margaret Van Horn Dwight, The Canadian Druggist, Vol., 1, No. BY EMI APRIL MUSIC, INC. (ASCAP), AMANDA GHOST BUCKS MUSIC GROUP LIMITED ADMIN. Let me go B100 million crib3 million watchAll factsNo cap, falseN---- you not a bossYou got a bossN----- getting jerkedThat sh-- hurtsI take it personallyN----- rather work for the man Than to work with meJust so they can pretend they on my levelThat sh-- is irking to mePride always goeth before the fallAlmost certainlyIt’s disturbing what I gross (What I gross)Survey says you not even close(Not even close)Everybody’s bosses’ till it’s time to pay for the officeTill them invoices separate the men from the boysOver here we measure success by how many people successful next to youHere we say you broke if everybody is broke except for youBoss! 11, St. Nicholas Vol. THE WEEKND APPEARS COURTESY OF THE WEEKND XO, INC./REPUBLIC RECORDS, 10 TIMES OUT OF 9 I KNOW YOU LYIN'BUT 9 TIMES OUTTA 10 I KNOW YOU TRYING SO I’M TRYING TO BE FAIRAND YOU’RE TRYING TO BE THEREAND TO CAREBUT YOU’RE CAUGHT UP IN YOUR PERMANENT EMOTIONSAND ALL THE LOVE I’M GIVING IS UNNOTICED JUST FLOATING IN THE AIR LOOKIE THERE...ARE YOU AWARE?YOU’RE MY LIFELINE, ARE YOU TRYNA KILL ME?IF I WASN’T ME WOULD YOU STILL FEEL ME?LIKE ON MY WORST DAY?OR AM I NOT THIRSTY?ENOUGH…I DON’T CARE ABOUT THE LIGHTS OR THE BEAMI'D SPEND MY LIFE IN THE DARKFOR THE SAKE OF YOU AND ME THE ONLY WAY TO GO IS UPSKIN THICK TOO TOUGH, YOU YOU YOU YOU AND ME COULD MOVE A MOUNTAINYOU YOU YOU YOU AND ME COULD CALM A WAR DOWNYOU YOU YOU YOU AND ME COULD MAKE IT RAIN NOWYOU YOU YOU AND ME COULD STOP THIS LOVE DROUGHT. Silva, J. M. Pereira da (João Manuel Pereira), 1817-1898, Silva, José Ferreira da, active 1801-1804, Merle d'Aubigné, J. H. (Jean Henri), 1794-1872, La Belle-Nivernaise: Histoire d'un vieux bateau et de son équipage, Dix contes modernes des meilleurs auteurs du jour, Fromont nuorempi ja Risler vanhempi: Parisin tapoja, Nivernain kaunotar: Kertomus eräästä vanhasta aluksesta ja sen väestöstä, Port-Tarascon: Dernières aventures de l'illustre Tartarin, Robert Helmont: Diary of a Recluse, 1870-1871, Widger's Quotes and Images from Fromont and Risler by Alphonse Daudet, Histoire de l'Émigration pendant la Révolution Française. USED BY PERMISSION. Erster Band, Ein Kampf um Rom: Historischer Roman. PERFORMED BY JAMES EARL JONES, ALFRE WOODARD, DONALD GLOVER / WRITTEN BY JEFF NATHANSON / SCORE BY BEYONCÉ, DEREK DIXIE / ADDITIONAL VOCALS BY MZANSI YOUTH CHOIR (SOUTH AFRICA) / MZANSI YOUTH CHOIR RECORDED BY JAMES BASSINGWAIGHTE / MIXED BY ZACHARY ACOSTA AT NRG STUDIOS NORTH HOLLYWOOD, CA / MASTERED BY COLIN LEONARD AT SING MASTERING IN ATLANTA, GA USING SING TECHNOLOGY® / ©2019 DISNEY ENTERPRISES, INC. Verse 1:Yeah and the wind is talking Yeah for the very first timeWill the melody that pulls you towards itPaint in pictures of paradise Saying, Pre:Rise up, to the light in the Sky yeah, watch the light lift yourHeart up, burn your flame through the nightWooo, Chorus:SpiritWatch the heavens open (open) yeahSpiritCan you hear it calling (calling) yeah, Verse 2:Yeah and the waters crashingTrying to keep your head up high While you’re tremblingThat’s when the magic happensAnd the stars gather by By your side, side yeah, Pre:Rise up, to the light in the Sky yeah, let the light lift your Heart up burn your flame through the nightWoooo, Post:Your destiny is coming closeStand up and fight Ohhhh, Bridge:So go into that far off land And be one with the great I amI am boy becomes a manWooo, Chorus:SpiritWatch the heavens open (open) yeahSpirit Can you hear it calling (calling) yeah, Your destiny is coming closeStand up and fight Ohhhh, So go into that far off land And be one with the great I am. BeyoncéI’m so happy y’all are here tonight. Beyoncé:I’m the only lady here, still the realest n---- in the roomI break the internet, top two and I ain’t number twoMy body, my ice, my cash, all real, I’m a triple threatF--- it up and then leave, come back, f--- it up and then leave againTop off the coupe and it look like FreaknikIn the hood, hollerin’ “Freek Meek”Two deep, it’s just me and JAYJust posted in them courtside seatsWoo! A Treatise on the Diseases Produced By Onanism, Masturbation, Self-Pollution, and Other Excesses. The kings time as ruler rises and falls like the sunOne day Simba The sun will set on my time here and will rise with you as the new kingSimbaIm here mother. You sound so pretty. See: Abbadie, Arnauld d', 1815-1894? Verse 3: BeyoncéI left a note in the hallwayBy the time you read it, I'll be far awayI'm far awayBut I ain't f------with nobodyLet's have a toast to the good lifeSuicide before you see this tear fall down my eyesMe and my baby, we gon' be alrightWe gon' live a good lifeBig homie better grow upMe and my whoadies 'bout to stroll upI see them boppers in the cornerThey sneaking out the back doorHe only want me when I'm not thereHe better call Becky with the good hairYou better call Becky with the good hair, PERFORMED BY BEYONCÉ / WRITTEN BY DIANA GORDON, SEAN RHODEN P/K/A MELO-X, BEYONCÉ, SCOTT STORCH AND ROBERT WALLER / PUBLISHED BY WB MUSIC CORP. (ASCAP) OBO ITSELF AND LOTS OF LYRICS ENTERTAINMENT (ASCAP) ALL RIGHTS OBO ITSELF AND LOTS OF LYRICS ENTERTAINMENT ADMINISTERED BY WB MUSIC CORP., MELOXTRA PUBLISHING (BMI), WB MUSIC CORP. (ASCAP) AND OAKLAND 13M (ASCAP) ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC, BEYONCE PUBLISHING (ASCAP), WB MUSIC CORP (ASCAP), NOTTING DALE SONGS INC (ASCAP), RESERVOIR MEDIA MUSIC (ASCAP) AND BLACK OWNED MUSIK (ASCAP) / PRODUCED BY BEYONCÉ AND DEREK DIXIE, Verse: BeyoncéRock diamonds on my neck, got diamonds on my recordsSince fifteen coming down reppin’ TexasHow you gon' neglect this? Cabiria: Visione storica del terzo secolo A. C. Dante. H  The Bodleian Libraries at the University of Oxford is the largest university library system in the United Kingdom. Honey, honeyI can see the stars all the way from hereCan't you see the glow on the window paneAnd I can feel the stars whenever you're near, you’re nearEvery time you touch me I just melt away. 04 (of 10), Lives of the Most Eminent Painters Sculptors and Architects, Vol. (ASCAP)SUPER SAYIN/ZOMBA MUSIC PUBLISHING (BMI), B-DAY PUBLISHING/EMI MUSIC PUBLISHING (ASCAP)/SOLANGE MW PUBLISHING (ASCAP). Baby look me in my eyeTake acheers to you and ICheers to you…Baby look me in the eyeTake acheers to you and I, Put up your glassPut up your glassPut up your bagThrow up a lightSo that we brightBlow money fast, yeahThis what we came forLook out the windowNigga , oh noThis what we ball for, Written by Beyoncé, S. Carter, Marcello Valenzano, Andre Christopher Lyon, E. DubokPublished by Oakland 13 Music (ASCAP) All Rights Administered by WB Music Corp. OBO Itself and Oakland 13 Music; Carter Boys Music, Administered by Warner Chappell (ASCAP), BMG Monarch, Let The Story Begin Publishing (ASCAP); All Rights administered by BMG Rights Management (US) LLC; Z Songs/Dade Co. Project Music Inc. (BMI) OBO Universal Music ; Fruit of the Loominati Music (BMI)Produced by Beyoncé, JAY-Z and Cool & Dre for Epidemic Music IncCo-produced by Beat ButchaAdditional programming by 808-RayAdditional vocals by Dre from Cool &Dre Mixed by Chris GodbeyRecorded by Stuart WhiteAssistant Mix Engineer: Tyler ScottMastered by Colin Leonard at SING Mastering , Atlanta, GA using SING Technology®, YOU CAN TASTE THE DISHONESTY, IT’S ALL OVER YOUR BREATHAS YOU PASS IT OFF SO CAVALIER, BUT EVEN THAT’S A TESTCONSTANTLY AWARE OF IT ALL, MY LONELY EARPRESSED AGAINST THE WALLS OF YOUR WORLD, PRAY TO CATCH YOU WHISPERINGI PRAY YOU CATCH ME LISTENINGI’M PRAYING TO CATCH YOU WHISPERINGI PRAY YOU CATCH ME, I’M PRAYING TO CATCH YOU WHISPERINGI PRAY YOU CATCH ME LISTENINGI PRAY YOU CATCH ME, NOTHING ELSE EVER SEEMS TO HURT LIKE THE SMILE ON YOUR FACEWHEN IT’S ONLY IN MY MEMORY, IT DON'T HIT ME QUITE THE SAMEMAYBE IT’S A CAUSE FOR CONCERN, BUT I'M NOT AT EASEKEEPING MY HEAD TO THE CURB, PRAY TO CATCH YOU WHISPERINGI PRAY YOU CATCH ME LISTENINGI PRAY TO CATCH YOU WHISPERINGI PRAY YOU CATCH MEI PRAY YOU CATCH MEI PRAY YOU CATCH MEI’M PRAYING YOU CATCH ME, WRITTEN BY KEVIN GARRETT, BEYONCÉ, JAMES BLAKE / PUBLISHED BY WB MUSIC CORP. (ASCAP) OBO ITSELF, ROC NATION MUSIC AND KEVIN GARRETT MUSIC, WB MUSIC CORP. (ASCAP) AND OAKLAND 13 MUSIC (ASCAP) ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC, SONY/ATV / PRODUCED BY KEVIN GARRETT, BEYONCÉ AND JEREMY MCDONALD / VOCAL PRODUCTION BY BEYONCÉ / MIXED AND RECORDED BY STUART WHITE / SECOND ENGINEERING BY RAMON RIVAS / ASSISTANT RECORDING ENGINEERING BY JOHN CRANFIELD / PIANO BY KEVIN GARRETT / JUPITER BASS BY JAMES BLAKE / STRINGS BY ERIC GORFAIN, DAPHNE CHEN, CHARLIE BISHARAT, JOSEFINA VERGARA, SONGA LEE, MARISA KUNEY, NEEL HAMMOND, SUSAN CHATMAN, KATIE SLOAN, AMY WICKMAN, LISA DONDLINGER, TERRY GLENNY, INA VELI, GINA KRONSTADT, YELENA YEGORYAN, RADU PIEPTEA, CRYSTAL ALFORQUE, SERENA MCKINNEY, LEAH KATZ, ALMA FERNANDEZ, RODNEY WIRTZ, BRIANA BANDY, ANNA BULBROOK, GRACE PARK, RICHARD DODD, JOHN KROVOZA, IRA GLANSBEEK, VANESSA FAIRBAIRN-SMITH, GINGER MURPHY, ADRIENNE WOODS, DENISE BRIESE, RYAN CROSS, GEOFF OSIKA / ORCHESTRATIONS BY ERIC GORFAIN / STRING ARRANGEMENT BY JON BRION / STRINGS AND KEYBOARDS ENGINEERED BY GREG KOLLER / PROTOOLS EDITING AND KEYBOARDS RECORDED BY ERIC CAUDIEUX AT HENSON STUDIOS, LOS ANGELES, CA AND THE APEX STUDIO IN BURBANK, CA / RECORDED AT CONWAY STUDIOS IN LOS ANGELES, CA / MIXED AT PACIFIQUE RECORDING STUDIOS, NORTH HOLLYWOOD, CA / PACIFIQUE STUDIO ASSISTANT: ARTHUR CHAMBAZYAN / MASTERED BY DAVE KUTCH OF THE MASTERING PALACE NYC AT PACIFIQUE RECORDING STUDIOS, NORTH HOLLYWOOD, CA, HOLD UP, THEY DON’T LOVE YOU LIKE I LOVE YOUSLOW DOWN, THEY DON’T LOVE YOU LIKE I LOVE YOUBACK UP, THEY DON’T LOVE YOU LIKE I LOVE YOUSTEP DOWN, THEY DON’T LOVE YOU LIKE I LOVE YOUCAN’T YOU SEE THERE’S NO OTHER MAN ABOVE YOUWHAT A WICKED WAY TO TREAT THE GIRL THAT LOVES YOUHOLD UP, THEY DON’T LOVE YOU LIKE I LOVE YOUSLOW DOWN, THEY DON’T LOVE YOU LIKE I LOVE YOU, SOMETHING DON’T FEEL RIGHTBECAUSE IT AIN’T RIGHTESPECIALLY COMING UP AFTER MIDNIGHTI SMELL YOUR SECRETSAND I’M NOT TOO PERFECT TO EVER FEEL THIS WORTHLESSHOW DID IT COME DOWN TO THISSCROLLING THRU YOUR CALL LISTI DON’T WANT TO LOSE MY PRIDE BUT I’MA F---- ME UP A BITCHKNOW THAT I KEPT IT SEXYYOU KNOW I KEPT IT FUNIS THERE SOMETHING THAT I’M MISSING?
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